Complete through Volume 5, Number 3 (Winter 1986-1987)
Volume 1, Number 1 (Spring 1978)
Confessions of a Microtonal Convert
Elizabeth Glasier
pp. 2-3
New Moods
Ivor Darreg
pp. 3-4
17-Tone Well Temperament
George Secor
pp. 4-5
Secor-Nineteen-Plus-Three
George Secor
pp. 5-6
Chrysalis
Cris Forster
pp. 6-8
Thinking Big
Ivor Darreg
pp. 8-9
Perspective
Jonathan Glasier
pp. 9-10
Review of Tuning the Historical Temperaments by Ear, by Owen Jorgensen
George Secor
pp. 10-12
Review of Glasier Collage Concert, March 13, 1978 at Calliopes Coffeehouse
Arthur Frick
pp. 13-14
Volume 1, Number 2 (Fall 1978)
Improvising…
John Glasier Sr.
pp. 5-6
George Secor Interview
Jonathan Glasier
pp. 6-7
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments
Harry Partch
pp. 8-12
Microtonal Mathematics 1
John Chalmers
pp. 12-13
Balloon Music
Prent Rodgers
pp. 14-17
Harmonic/Melodic Canon IV
Cris Forster
pp. 17-19
The Binary Flute
Denny Genovese
pp. 20-21
Vocal Harmonics
Jonathan Glasier
pp. 21-23
Listening for the New Intervals: The Drone Can Help You
Ivor Darreg
pp. 23-24
Towards A Just Social Intonation
Will Parsons
pp. 24-25
An Introduction
Paul William Simons
pp. 25-27
Hawaii Electronic Music Group
Denny Genovese
pp. 27-28
The Microtonal Dimension in The Dybbuk
Joel Mandelbaum
pp. 28-29
Ivor Darreg Lecture/Concert
Jonathan Glasier
pp. 29-30
Review of Music for Citizen’s Band, by Will Parsons
Joe Friedman
p. 30
Volume 1, Number 3 (Winter 1979)
Conversion Analysis: Ratios to Cents
Cris Forster
p. 5
Electronic Music (Cheap) Without a Synthesizer!
Denny Genovese
pp. 5-6
Musings
Jonathan Glasier
pp. 6-7
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part 2)
Harry Partch
pp. 7-14
Families of Intervals—Thirds
Jonathan Glasier
pp. 14-15
Diamond Marimba II
Cris Forster
pp. 16-18
Going Without the Wind: The Electronic Keyboard Oboe
Ivor Darreg
pp. 18-21
The Entire Field of Sound
Tom Nunn
pp. 21-22
Discovering the Microtonal Resources of Your Voice
Elizabeth Glasier
pp. 23-24
Paleontology: The 12-Toned Pianosaurus
Ivor Darreg
pp. 24-25
Cycle of Scales in 12-Tone Pythagorean Tuning (chart)
Erv Wilson
p. 26
Volume 1, Number 4+5 (Spring-Summer 1979)
I am a dancer, I dance my self
Judith Greer Essex
p. 7
Barbershop Music
James Gattey
pp. 7-8
Just Intonation From Leaky Keyboards
Ken Wauchope
pp. 8-9, 44
Sing Your Way to Just Intonation
Ivor Darreg
pp. 10-11
George Secor’s 17 Tone Triple Delight
Jonathan Glasier
pp. 11, 14
Musical Play Park
Richard Waters
pp. 12-13
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part Three)
Harry Partch
pp. 15-18, 31-34
Exhibition/Festival For New Instrumental Resources
Jonathan Glasier
pp. 20-23
KIVA Interview
Jonathan Glasier
pp. 24-28
Bell Garden—Tuned to What?
John Gibbon
pp. 28-30
The Tubalong
Jonathan Glasier
p. 30
Non-Twelve on the Clavichord
Ivor Darreg
pp. 35-36, 45
Simple Instruments in Just Intonation
Denny Genovese
pp. 37-38
Ratios For Equal-Temperaments
David Canright
pp. 38-40
Berklee’s Catler Gives Xenharmonic Recital
Jonathan Glasier
p. 41
Program Notes
Jonathan Glasier
pp. 41-45
Review of An Introduction to the Quartertone Guitar, by James Schneider
Ivor Darreg
pp. 42-44
Partchian Twin-Star Eikosany (chart)
John Gibbon
p. 46
Partch Ratios In The Round (chart)
John Gibbon
p. 47
Volume 2, Number 1 (Fall 1979)
Interval Foundation
Jonathan Glasier
p. 2
Math, Music, and Logic
Ivor Darreg
p. 6
Keyboard Controlled Just Intonation Computer
Harold Waage
p. 6
Ten-Equal: The Other Side of the Coin
Gary Morrison
pp. 7-8, 17
Music for Homemade Instruments
Skip La Plante
pp. 9-11, 42, 38
Homemade: San Diego Style
Jonathan Glasier
pp. 12-13
Detwelvulate!
Ivor Darreg
pp. 14-17
The Affect of Musical Intervals
Scott Makeig
pp. 18-19, 24-26
Reinventing The Wheel (So It Will Fly)
Arthur Frick
pp. 20-24
The Bewitched Goes to Europe: Interview with Kenneth Gaburo, Artistic Director, and Mary Lou Blankenburg, Choreographer, San Diego State University, October 7, 1979
Jonathan Glasier
pp. 27-32
Geometrisonics
Michael Winkler
pp. 33-35, 17
Review of Moustache Blue, by Glen Prior
Jonathan Glasier
p. 36
SOUND in NY
Jonathan Glasier
p. 36
List of Intervals Relevant to the Theory of Tuning (chart)
Ivor Darreg
p. 39
Prelude No. 1 for Guitar: Original Version in 19-Tone system (score)
Ivor Darreg
pp. 40-41
Volume 2, Number 2+3 (Spring-Summer 1980)
The Gourd Man—And Partch
Jonathan Glasier
pp. I5-I6
On Choosing an Equal-Tempered Scale
G. W. Swift and M. Yunik
pp. I6-I8
Other Music
Jonathan Glasier
p. I6
Modifying a Trumpet to Play 19 Tone Music
G. W. Swift and M. Yunik
p. I8
Notation for Non-Twelve
Ivor Darreg
pp. I8-I11
Theory of Interval Affect [Part 2]
Scott Makeig
pp. I12, I13-I16
Catalogue for the Exhibition/Festival For New Instumental Resources I and II
Jonathan Glasier
pp. 1-40
Microtonal Songs for the Clarinet
Dan Goode
pp. I16-I19
Tuning System Design
Jeff Pressing
pp. I19-I22, I24
Brand Library Concert
Jonathan Glasier
pp. I23-I24
Charles, Third Earl of Stanhope; Well Temperament, 1806 (chart)
Lou Harrison and Bill Colvig
p. I24
Volume 2, Number 4 (Fall 1980)
Foundation Notes
Jonathan Glasier
pp. 5-6
Structures on a Vacant Lot
Jonathan Glasier
pp. 6, 10
Non-Twelve Notation—Part II
Ivor Darreg
pp. 7-9
Some Designs For Small Numbered Non-12 Tone Metallophones And Keyboards
John H. Chalmers, Jr.
pp. 10, 14
Theory of Interval Affect—Part III
Scott Makeig
pp. 11-13
Dan Wolf: Microtonal Composer
Daniel Wolf
p. 15
Easley Blackwood: An Interview
Denny Genovese
pp. 16-18
Tolerance
Ivor Darreg
pp. 18-21
Catalyst—a multimedia collective
Jonathan Glasier
pp. 22-23
Erv Wilson Lecture
Jonathan Glasier
p. 23
(5+12) 17-Tone Tubulong, Genus 38·5 (chart)
Erv Wilson
p. 24
Volume 3, Number 1 (Spring 1981)
Make Your Own Steel Guitar Fretboards
Siemen Terpstra
p. 4
Ivor Letters
Ivor Darreg
pp. 4-5
Foundation Notes
Jonathan Glasier
pp. 5-6
Simple Instruments: Harmonic Flutes
Jonathan Glasier
p. 6
The Partch Reverberations: Notes on a Musical Rebel
Jeff Smith
pp. 7-12
Julian Carrillo: Mexico’s Microtonal Music Master
Ivor Darreg
pp. 13, 17
Barbs and Broadsides
Harry Partch
pp. 14-16
Easley Blackwood Interview—Part II
Denny Genovese
pp. 18-21
Theory of Interval Affect: The Fourth in a Series
Scott Makeig
pp. 21-23
Pepe Aton Estevane: an interview with the microtonal ambassador from Mexico
Jonathan Glasier
pp. 24-25
Lou Harrison’s Gamelan Music Premieres in Southern California
Jonathan Glasier
p. 26
OMNI Puts Microtonalists on Map
Jonathan Glasier
p. 26
Dreams and Nightmares
Jonathan Glasier
pp. 26-27
Volume 3, Number 2 (Summer 1981)
Ivor Letters
Ivor Darreg
pp. 5, 12
Foundation Notes
Jonathan Glasier
pp. 5, 12
The Partch Reverberations: Notes on a Musical Rebel [Part 2]
Jeff Smith
pp. 6-9, 12
The Sound and Movement Choir
Jonathan Glasier and Judith Essex
pp. 10-11
Theory of Interval Affect—Part V
Scott Makeig
pp. 11, 18
Resonators, Part 1: Types and How They Work
Christopher C. Banta
pp. 13-17
Julian Carrillo’s Notation
Ivor Darreg
p. 19
Review of The Equal-Beating Temperaments, by Owen Jorgensen
Ivor Darreg
pp. 20-21
Review of El Infinito En Las Escalas y En Los Acordes, by Julian Carrillo
Ivor Darreg
pp. 21-22
Harmony Harp and Friends—Concert Series
Jonathan Glasier
pp. 22-23
Volume 3, Number 3 (Winter 1981-1982)
Open Letter
Ivor Darreg
pp. 4-5
Foundation Notes
Jonathan Glasier
p. 5
What is a Mean Tone?
Ivor Darreg
pp. 6-9
New Approaches to Pentatonic Notation
Christopher Banta
pp. 9-10, 23
Musical Strings, Part I
Ivor Darreg
pp. 11, 19
An Interview with Terry Riley
Jonathan Glasier
pp. 12-15
Resonators, Part 2: How to Tune and Measure Them
Christopher C. Banta
pp. 16-19
Intervals in Recent Writings—A Review: Including the New Grove Dictionary of Music and Musicians
Douglas Leedy
pp. 20-23
Volume 3, Number 4 (Summer 1982)
Foundation Notes
Jonathan Glasier
p. 4
Fourth Annual EFNIR
Jonathan Glasier
pp. 4-6
Intervals and Theory
John S. Glasier
pp. 6, 28
A Case For Nineteen
Ivor Darreg
pp. 7-8, 17
Sonic Artist
Stephen Kent Goodman
pp. 9-10
Musical Strings—Part II
Ivor Darreg
pp. 11-13
Non-Twelve on the Cello
Ivor Darreg
pp. 14-15, 22-23
Sonic Art Show: California State College–San Bernardino
Jonathan Glasier
pp. 16, 21
Advantages and Disadvantages of Just Intonation
Ivor Darreg
p. 18
A Questionaire for Microtonal Musicians
Michael Fishbein
pp. 18-19
Table of Errors in Equally-Tempered Intervals (chart)
Ivor Darreg
pp. 20, 17
Advantages and Disadvantages of 12-Equal
Ivor Darreg
pp. 21, 24
Advantages and Disadvantages of 19-Equal
Ivor Darreg
p. 24
Joseph Yasser, 1893-1981
John Chalmers
p. 25
Microtonal Centers on the East Coast
Jonathan Glasier
p. 26
Concert: “Microtonal” by Newband
Edward Rothstein
pp. 26-27
Music: Microtonal Forays Beyond the 12-Note Scale
John Rockwell
p. 27
Review of The Autobiography of Otto Luening: The Odyssey of an American Composer
Jonathan Glasier
pp. 27-28
Ivor Letters
Ivor Darreg
pp. 28-29
Wheels Within Wheels: Pop Rhythm, A Drummer’s Point of View
Will Parsons
p. 30
Complete Tables of Contents for the First Three Volumes of Interval Magazine
Jonathan Glasier
pp. 31-34
Volume 4, Number 1 (Winter 1982-1983)
The Future of Music
T. S. Reed
p. 4
Here We Go Again, Let’s Change the Name
Jonathan Glasier
pp. 4-5
Trans-Spectra, Future World, World Song: Building the Arts of Tomorrow
Jonathan Glasier
pp. 5, 27
Interview in Mexico City with Delores Carrillo, Daughter of Julian Carrillo, and David Espejo
Jonathan Glasier
pp. 6-9
The Automated Music Ensemble
Stephen Goodman
pp. 10-12
Progress Report: New Musical Instruments and Tuning Systems
Ivor Darreg
pp. 13-14
Living and Listening in Real Time: Notes Around the Music of La Monte Young
Daniel J. Wolf
pp. 14-15
Partial List of Publications
Ivor Darreg
p. 15
New Music for an Old Temperament?
Douglas Leedy
pp. 16-19
Megalyra
Ivor Darreg
pp. 20-21
Hobnailed Newelpost
Ivor Darreg
p. 21
Advantages and Disadvantages of the 17-Tone Equal Temperament
Ivor Darreg
p. 22
Microtones and Melody
Arthur N. Campos
p. 23
An Ear for Microtonality in the East
Jonathan Glasier
pp. 24-25
Interval Players Tour Mexico
Jonathan Glasier
p. 25
EFNIR V Goes to U.C. Santa Cruz
Jonathan Glasier
p. 25
Bohemiola: Tuning Specifications for the Piano
David Weinstein
pp. 26-27
Volume 4, Number 2 (Fall 1983)
World Song
Arthur Frick
p. 2
Early Partch Work—Part 1: Manuscript, Keyboard Design Charts Uncovered
Jonathan Glasier
pp. 6-7
Tuning Noises and Painting Time: How Futurism Made History
Ivor Darreg
pp. 8-11
Computer Music Journal
Ralph David Hill
p. 11
The Baschet Experience
Francois Baschet
pp. 12-14
Just Intonation on a Home Built Digital Synthesizer-Computer
Ralph David Hill
pp. 15-22
Ivor Etc.
Ivor Darreg
pp. 23-24
Sound Sculptures at LAICA
Stephen Kent Goodman
pp. 25-26
Harry Partch Ensemble Plays at San Diego Kool Jazz Festival
Jonathan Glasier
pp. 26, 29, 31-32
Living and Listening in Real Time: Notes Around the Music of La Monte Young [Part 2]
Daniel J. Wolf
pp. 27-28
Confessions of a Microtonal Convert (Reprinted from Interval Volume 1 Number 1)
Elizabeth Glasier
p. 28
Review of Sound Designs—A Handbook of Musical Instrument Building, by Reinhold Banek and Jon Scoville
Steve Smith
pp. 29, 33
Fifth Annual EFNIR: University of California at Santa Cruz Co-sponsors Interval Event
Jonathan Glasier
pp. 30-31, 34
Novatone Interchangeable Fingerboards
Jonathan Glasier
pp. 30, 32
Connoisseur Article Falls Short
Jonathan Glasier
pp. 32-33
Wilson’s Pythagorean and Just Modulations (chart)
Erv Wilson
p. 34
Volume 4, Number 3 (Spring 1984)
Sonic Healing—An Application for Just Intonation
Jonathan Glasier
p. 4
The Baschet Experience: Part II From the “Sound Sculpture” Papers
Francois Baschet
pp. 6-7
Exposition of Monophony, Part II: Early Draft of Harry Partch’s Book Written 1928-1932
Harry Partch
pp. 8-9
Harry Partch & The Harry Partch Ensemble
Norm Sohl
pp. 9-10
Microtonal Music
Norm Sohl, Stephen Smith, and Jonathan Schever
pp. 11-12
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela
Ramon Pelinski
pp. 13-20
San Diego Song (score)
Arthur Frick
pp. 21-24
Ivor Darreg Year in Review: Year-End Report for 1983
Ivor Darreg
pp. 25-27
Progress Report 1983
Ralph David Hill
pp. 27-28
Comments on the MIDI Concept
Ivor Darreg
pp. 28-29
Volume 4, Number 4 (Spring-Summer 1985)
Glenn Branca and the Third Bridge
Bart Hopkin
p. 4
Harry Partch Reviews Yasser’s Theory of Evolving Tonality
Harry Partch
pp. 5-6, 31
A Selective List of Source Material On Alternative Tuning Systems in American Music
Douglas Leedy
pp. 7-9
Interval Interview With French Composer Pierre-Jean Croset and His Lyra
Jonathan Glasier
pp. 10-14
The Pentaphone—Unfolding Fives
Jonathan Glasier
pp. 14-16
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela, Part II
Ramon Pelinski
pp. 16-24
Theremin—The First Analog Synthesizer
Ivor Darreg
pp. 25-30
22-Tone Musical Instrument (chart)
Erv Wilson
p. 32
January 1984 to January 1985 Progress Report
Ivor Darreg
pp. 33-37
Experimental Musical Instruments
Bart Hopkin
p. 37
1/1 Magazine of Just Intonation
Jonathan Glasier
pp. 37-38
In Memoriam: John Strong Glasier—May 3, 1910–April 20, 1985
Jonathan Glasier
p. 40
Volume 5, Number 1 (Fall-Winter 1985-1986)
“Computers & Music”
Ralph David Hill
p. 5
Abbreviated Chronology of Persons in Music-Related Acoustics (chart)
Ivor Darreg
p. 6
Approximation By Proportional Addition: A Method of Deriving Various Microtonal Scales
Harold M. Waage
pp. 7-9
Musical Instruments Listed in the Order of Their Nature from Analog to Digital (chart)
Ivor Darreg
p. 9
The Digital-Analog Question
Ivor Darreg
pp. 10-13
Making Sense of Cents
Mark Rankin
pp. 13-15
Toward a Rolling Sky: Some Pearls on Pauline Oliveros
Ron Drummond
pp. 16-22
The Equal Temperament of 31 Notes to the Octave
William Coates
pp. 23-27
Interval Hosts North American Conference on Micro-Intervallic Music
Jonathan Glasier
pp. 28-30
The American Festival of Microtonal Music: Program Notes
Johnny Reinhard
pp. 30-31, 33
Review of Prior’s Reference Handbook of Music Math, by Glen A. Prior
Jonathan Glasier
p. 32
Review of Foundations of Computer Music, edited by Curtis Roads and John Strawn
Jonathan Glasier
p. 33
Microtonal Compositions by Julian Carrillo (chart)
Jonathan Glasier
p. 35
Volume 5, Number 2 (Spring 1986)
The Modular Keyboard: Novel Tuning For Midi Synthesizers
Siemen Terpstra
pp. 1, 11-13
Annual Report 1985
Ivor Darreg
pp. 3-5, 16-17
A Programmable Microtonal Keyboard
Doug Keislar
pp. 6-9
The Beehive Keyboard: A Five Limit Keyboard
James A. Davis
pp. 10, 20
“Just” Indignation
Jonathan Glasier
p. 14
Microtonal Music Released from Obscurity?
Jonathan Glasier
p. 14
Every Man His Own Orchestra
Jonathan Glasier
pp. 14-15
Split-Level Architecture
Jonathan Glasier
p. 15
Creativity and the Artistic Process
Arthur Frick
pp. 15, 19
The Age of Keyboards
Ivor Darreg
p. 18
Volume 5, Number 3 (Winter 1986-1987)
Abstract
Adriana Guarnieri
p. 5
Acoustical Instruments: Obsolete or Absolute?
Stephen K. Goodman
pp. 5-7
Ivor Darreg With Drone Instrument
Jonathan Glasier
pp. 7, 27-28
The Generalized Marimba Keyboard (chart)
Erv Wilson
pp. 8-9, 21-22
A Generalization of Helmholtz’s Harmonic Model to Nineteen-Tone Equal Temperament
Norbert L. Oldani
pp. 10-11
The Nineteen-Tone System as Ten Plus Nine
John Negri
pp. 11-13
Composing for a Set of Aluminum Just-Intonation Tuning Forks—Part 1