Interval Tables of Contents

Volume 1, Number 1 (Spring 1978)

Confessions of a Microtonal Convert: Elizabeth Glasier; pp. 2-3
New Moods: Ivor Darreg; pp. 3-4
17-Tone Well Temperament: George Secor; pp. 4-5
Secor-Nineteen-Plus-Three: George Secor; pp. 5-6
Chrysalis: Cris Forster; pp. 6-8
Thinking Big: Ivor Darreg; pp. 8-9
Perspective: Jonathan Glasier; pp. 9-10
Review of Tuning the Historical Temperaments by Ear, by Owen Jorgensen: George Secor; pp. 10-12
Review of Glasier Collage Concert, March 13, 1978 at Calliopes Coffeehouse: Arthur Frick; pp. 13-14

Volume 1, Number 2 (Fall 1978)

Improvising…: John Glasier Sr.; pp. 5-6
George Secor Interview: Jonathan Glasier; pp. 6-7
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments: Harry Partch; pp. 8-12
Microtonal Mathematics 1: John Chalmers; pp. 12-13
Balloon Music: Prent Rodgers; pp. 14-17
Harmonic/Melodic Canon IV: Cris Forster; pp. 17-19
The Binary Flute: Denny Genovese; pp. 20-21
Vocal Harmonics: Jonathan Glasier; pp. 21-23
Listening for the New Intervals: The Drone Can Help You: Ivor Darreg; pp. 23-24
Towards A Just Social Intonation: Will Parsons; pp. 24-25
An Introduction: Paul William Simons; pp. 25-27
Hawaii Electronic Music Group: Denny Genovese; pp. 27-28
The Microtonal Dimension in The Dybbuk: Joel Mandelbaum; pp. 28-29
Ivor Darreg Lecture/Concert: Jonathan Glasier; pp. 29-30
Review of Music for Citizen’s Band, by Will Parsons: Joe Friedman; p. 30

Volume 1, Number 3 (Winter 1979)

Conversion Analysis: Ratios to Cents: Cris Forster; p. 5
Electronic Music (Cheap) Without a Synthesizer!: Denny Genovese; pp. 5-6
Musings: Jonathan Glasier; pp. 6-7
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part 2): Harry Partch; pp. 7-14
Families of Intervals—Thirds: Jonathan Glasier; pp. 14-15
Diamond Marimba II: Cris Forster; pp. 16-18
Going Without the Wind: The Electronic Keyboard Oboe: Ivor Darreg; pp. 18-21
The Entire Field of Sound: Tom Nunn; pp. 21-22
Discovering the Microtonal Resources of Your Voice: Elizabeth Glasier; pp. 23-24
Paleontology: The 12-Toned Pianosaurus: Ivor Darreg; pp. 24-25
Cycle of Scales in 12-Tone Pythagorean Tuning (chart): Erv Wilson; p. 26

Volume 1, Number 4+5 (Spring-Summer 1979)

I am a dancer, I dance my self: Judith Greer Essex; p. 7
Barbershop Music: James Gattey; pp. 7-8
Just Intonation From Leaky Keyboards: Ken Wauchope; pp. 8-9, 44
Sing Your Way to Just Intonation: Ivor Darreg; pp. 10-11
George Secor’s 17 Tone Triple Delight: Jonathan Glasier; pp. 11, 14
Musical Play Park: Richard Waters; pp. 12-13
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part Three): Harry Partch; pp. 15-18, 31-34
Exhibition/Festival For New Instrumental Resources: Jonathan Glasier; pp. 20-23
KIVA Interview: Jonathan Glasier; pp. 24-28
Bell Garden—Tuned to What?: John Gibbon; pp. 28-30
The Tubalong: Jonathan Glasier; p. 30
Non-Twelve on the Clavichord: Ivor Darreg; pp. 35-36, 45
Simple Instruments in Just Intonation: Denny Genovese; pp. 37-38
Ratios For Equal-Temperaments: David Canright; pp. 38-40
Berklee’s Catler Gives Xenharmonic Recital: Jonathan Glasier; p. 41
Program Notes: Jonathan Glasier; pp. 41-45
Review of An Introduction to the Quartertone Guitar, by James Schneider: Ivor Darreg; pp. 42-44
Partchian Twin-Star Eikosany (chart): John Gibbon; p. 46
Partch Ratios In The Round (chart): John Gibbon; p. 47

Volume 2, Number 1 (Fall 1979)

Interval Foundation: Jonathan Glasier; p. 2
Math, Music, and Logic: Ivor Darreg; p. 6
Keyboard Controlled Just Intonation Computer: Harold Waage; p. 6
Ten-Equal: The Other Side of the Coin: Gary Morrison; pp. 7-8, 17
Music for Homemade Instruments: Skip La Plante; pp. 9-11, 42, 38
Homemade: San Diego Style: Jonathan Glasier; pp. 12-13
Detwelvulate!: Ivor Darreg; pp. 14-17
The Affect of Musical Intervals: Scott Makeig; pp. 18-19, 24-26
Reinventing The Wheel (So It Will Fly): Arthur Frick; pp. 20-24
The Bewitched Goes to Europe: Interview with Kenneth Gaburo, Artistic Director, and Mary Lou Blankenburg, Choreographer, San Diego State University, October 7, 1979: Jonathan Glasier; pp. 27-32
Geometrisonics: Michael Winkler; pp. 33-35, 17
Review of Moustache Blue, by Glen Prior: Jonathan Glasier; p. 36
SOUND in NY: Jonathan Glasier; p. 36
List of Intervals Relevant to the Theory of Tuning (chart): Ivor Darreg; p. 39
Prelude No. 1 for Guitar: Original Version in 19-Tone system (score): Ivor Darreg; pp. 40-41

Volume 2, Number 2+3 (Spring-Summer 1980)

The Gourd Man—And Partch: Jonathan Glasier; pp. I5-I6
On Choosing an Equal-Tempered Scale: G. W. Swift and M. Yunik; pp. I6-I8
Other Music: Jonathan Glasier; p. I6
Modifying a Trumpet to Play 19 Tone Music: G. W. Swift and M. Yunik; p. I8
Notation for Non-Twelve: Ivor Darreg; pp. I8-I11
Theory of Interval Affect [Part 2]: Scott Makeig; pp. I12, I13-I16
Catalogue for the Exhibition/Festival For New Instumental Resources I and II: Jonathan Glasier; pp. 1-40
Microtonal Songs for the Clarinet: Dan Goode; pp. I16-I19
Tuning System Design: Jeff Pressing; pp. I19-I22, I24
Brand Library Concert: Jonathan Glasier; pp. I23-I24
Charles, Third Earl of Stanhope; Well Temperament, 1806 (chart): Lou Harrison and Bill Colvig; p. I24

Volume 2, Number 4 (Fall 1980)

Foundation Notes: Jonathan Glasier; pp. 5-6
Structures on a Vacant Lot: Jonathan Glasier; pp. 6, 10
Non-Twelve Notation—Part II: Ivor Darreg; pp. 7-9
Some Designs For Small Numbered Non-12 Tone Metallophones And Keyboards: John H. Chalmers, Jr.; pp. 10, 14
Theory of Interval Affect—Part III: Scott Makeig; pp. 11-13
Dan Wolf: Microtonal Composer: Daniel Wolf; p. 15
Easley Blackwood: An Interview: Denny Genovese; pp. 16-18
Tolerance: Ivor Darreg; pp. 18-21
Catalyst—a multimedia collective: Jonathan Glasier; pp. 22-23
Erv Wilson Lecture: Jonathan Glasier; p. 23
(5+12) 17-Tone Tubulong, Genus 3⁸·5 (chart): Erv Wilson; p. 24

Volume 3, Number 1 (Spring 1981)

Make Your Own Steel Guitar Fretboards: Siemen Terpstra; p. 4
Ivor Letters: Ivor Darreg; pp. 4-5
Foundation Notes: Jonathan Glasier; pp. 5-6
Simple Instruments: Harmonic Flutes: Jonathan Glasier; p. 6
The Partch Reverberations: Notes on a Musical Rebel: Jeff Smith; pp. 7-12
Julian Carrillo: Mexico’s Microtonal Music Master: Ivor Darreg; pp. 13, 17
Barbs and Broadsides: Harry Partch; pp. 14-16
Easley Blackwood Interview—Part II: Denny Genovese; pp. 18-21
Theory of Interval Affect: The Fourth in a Series: Scott Makeig; pp. 21-23
Pepe Aton Estevane: an interview with the microtonal ambassador from Mexico: Jonathan Glasier; pp. 24-25
Lou Harrison’s Gamelan Music Premieres in Southern California: Jonathan Glasier; p. 26
OMNI Puts Microtonalists on Map: Jonathan Glasier; p. 26
Dreams and Nightmares: Jonathan Glasier; pp. 26-27

Volume 3, Number 2 (Summer 1981)

Ivor Letters: Ivor Darreg; pp. 5, 12
Foundation Notes: Jonathan Glasier; pp. 5, 12
The Partch Reverberations: Notes on a Musical Rebel [Part 2]: Jeff Smith; pp. 6-9, 12
The Sound and Movement Choir: Jonathan Glasier and Judith Essex; pp. 10-11
Theory of Interval Affect—Part V: Scott Makeig; pp. 11, 18
Resonators, Part 1: Types and How They Work: Christopher C. Banta; pp. 13-17
Julian Carrillo’s Notation: Ivor Darreg; p. 19
Review of The Equal-Beating Temperaments, by Owen Jorgensen: Ivor Darreg; pp. 20-21
Review of El Infinito En Las Escalas y En Los Acordes, by Julian Carrillo: Ivor Darreg; pp. 21-22
Harmony Harp and Friends—Concert Series: Jonathan Glasier; pp. 22-23

Volume 3, Number 3 (Winter 1981-1982)

Open Letter: Ivor Darreg; pp. 4-5
Foundation Notes: Jonathan Glasier; p. 5
What is a Mean Tone?: Ivor Darreg; pp. 6-9
New Approaches to Pentatonic Notation: Christopher Banta; pp. 9-10, 23
Musical Strings, Part I: Ivor Darreg; pp. 11, 19
An Interview with Terry Riley: Jonathan Glasier; pp. 12-15
Resonators, Part 2: How to Tune and Measure Them: Christopher C. Banta; pp. 16-19
Intervals in Recent Writings—A Review: Including the New Grove Dictionary of Music and Musicians: Douglas Leedy; pp. 20-23

Volume 3, Number 4 (Summer 1982)

Foundation Notes: Jonathan Glasier; p. 4
Fourth Annual EFNIR: Jonathan Glasier; pp. 4-6
Intervals and Theory: John S. Glasier; pp. 6, 28
A Case For Nineteen: Ivor Darreg; pp. 7-8, 17
Sonic Artist: Stephen Kent Goodman; pp. 9-10
Musical Strings—Part II: Ivor Darreg; pp. 11-13
Non-Twelve on the Cello: Ivor Darreg; pp. 14-15, 22-23
Sonic Art Show: California State College–San Bernardino: Jonathan Glasier; pp. 16, 21
Advantages and Disadvantages of Just Intonation: Ivor Darreg; p. 18
A Questionaire for Microtonal Musicians: Michael Fishbein; pp. 18-19
Table of Errors in Equally-Tempered Intervals (chart): Ivor Darreg; pp. 20, 17
Advantages and Disadvantages of 12-Equal: Ivor Darreg; pp. 21, 24
Advantages and Disadvantages of 19-Equal: Ivor Darreg; p. 24
Joseph Yasser, 1893-1981: John Chalmers; p. 25
Microtonal Centers on the East Coast: Jonathan Glasier; p. 26
Concert: “Microtonal” by Newband: Edward Rothstein; pp. 26-27
Music: Microtonal Forays Beyond the 12-Note Scale: John Rockwell; p. 27
Review of The Autobiography of Otto Luening: The Odyssey of an American Composer: Jonathan Glasier; pp. 27-28
Ivor Letters: Ivor Darreg; pp. 28-29
Wheels Within Wheels: Pop Rhythm, A Drummer’s Point of View: Will Parsons; p. 30
Complete Tables of Contents for the First Three Volumes of Interval Magazine: Jonathan Glasier; pp. 31-34

Volume 4, Number 1 (Winter 1982-1983)

The Future of Music: T. S. Reed; p. 4
Here We Go Again, Let’s Change the Name: Jonathan Glasier; pp. 4-5
Trans-Spectra, Future World, World Song: Building the Arts of Tomorrow: Jonathan Glasier; pp. 5, 27
Interview in Mexico City with Delores Carrillo, Daughter of Julian Carrillo, and David Espejo: Jonathan Glasier; pp. 6-9
The Automated Music Ensemble: Stephen Goodman; pp. 10-12
Progress Report: New Musical Instruments and Tuning Systems: Ivor Darreg; pp. 13-14
Living and Listening in Real Time: Notes Around the Music of La Monte Young: Daniel J. Wolf; pp. 14-15
Partial List of Publications: Ivor Darreg; p. 15
New Music for an Old Temperament?: Douglas Leedy; pp. 16-19
Megalyra: Ivor Darreg; pp. 20-21
Hobnailed Newelpost: Ivor Darreg; p. 21
Advantages and Disadvantages of the 17-Tone Equal Temperament: Ivor Darreg; p. 22
Microtones and Melody: Arthur N. Campos; p. 23
An Ear for Microtonality in the East: Jonathan Glasier; pp. 24-25
Interval Players Tour Mexico: Jonathan Glasier; p. 25
EFNIR V Goes to U.C. Santa Cruz: Jonathan Glasier; p. 25
Bohemiola: Tuning Specifications for the Piano: David Weinstein; pp. 26-27

Volume 4, Number 2 (Fall 1983)

World Song: Arthur Frick; p. 2
Early Partch Work—Part 1: Manuscript, Keyboard Design Charts Uncovered: Jonathan Glasier; pp. 6-7
Tuning Noises and Painting Time: How Futurism Made History: Ivor Darreg; pp. 8-11
Computer Music Journal: Ralph David Hill; p. 11
The Baschet Experience: Francois Baschet; pp. 12-14
Just Intonation on a Home Built Digital Synthesizer-Computer: Ralph David Hill; pp. 15-22
Ivor Etc.: Ivor Darreg; pp. 23-24
Sound Sculptures at LAICA: Stephen Kent Goodman; pp. 25-26
Harry Partch Ensemble Plays at San Diego Kool Jazz Festival: Jonathan Glasier; pp. 26, 29, 31-32
Living and Listening in Real Time: Notes Around the Music of La Monte Young [Part 2]: Daniel J. Wolf; pp. 27-28
Confessions of a Microtonal Convert (Reprinted from Interval Volume 1 Number 1): Elizabeth Glasier; p. 28
Review of Sound Designs—A Handbook of Musical Instrument Building, by Reinhold Banek and Jon Scoville: Steve Smith; pp. 29, 33
Fifth Annual EFNIR: University of California at Santa Cruz Co-sponsors Interval Event: Jonathan Glasier; pp. 30-31, 34
Novatone Interchangeable Fingerboards: Jonathan Glasier; pp. 30, 32
Connoisseur Article Falls Short: Jonathan Glasier; pp. 32-33
Wilson’s Pythagorean and Just Modulations (chart): Erv Wilson; p. 34

Volume 4, Number 3 (Spring 1984)

Sonic Healing—An Application for Just Intonation: Jonathan Glasier; p. 4
The Baschet Experience: Part II From the “Sound Sculpture” Papers: Francois Baschet; pp. 6-7
Exposition of Monophony, Part II: Early Draft of Harry Partch’s Book Written 1928-1932: Harry Partch; pp. 8-9
Harry Partch & The Harry Partch Ensemble: Norm Sohl; pp. 9-10
Microtonal Music: Norm Sohl, Stephen Smith, and Jonathan Schever; pp. 11-12
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela: Ramon Pelinski; pp. 13-20
San Diego Song (score): Arthur Frick; pp. 21-24
Ivor Darreg Year in Review: Year-End Report for 1983: Ivor Darreg; pp. 25-27
Progress Report 1983: Ralph David Hill; pp. 27-28
Comments on the MIDI Concept: Ivor Darreg; pp. 28-29

Volume 4, Number 4 (Spring-Summer 1985)

Glenn Branca and the Third Bridge: Bart Hopkin; p. 4
Harry Partch Reviews Yasser’s Theory of Evolving Tonality: Harry Partch; pp. 5-6, 31
A Selective List of Source Material On Alternative Tuning Systems in American Music: Douglas Leedy; pp. 7-9
Interval Interview With French Composer Pierre-Jean Croset and His Lyra: Jonathan Glasier; pp. 10-14
The Pentaphone—Unfolding Fives: Jonathan Glasier; pp. 14-16
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela, Part II: Ramon Pelinski; pp. 16-24
Theremin—The First Analog Synthesizer: Ivor Darreg; pp. 25-30
22-Tone Musical Instrument (chart): Erv Wilson; p. 32
January 1984 to January 1985 Progress Report: Ivor Darreg; pp. 33-37
Experimental Musical Instruments: Bart Hopkin; p. 37
1/1 Magazine of Just Intonation: Jonathan Glasier; pp. 37-38
In Memoriam: John Strong Glasier—May 3, 1910–April 20, 1985: Jonathan Glasier; p. 40

Volume 5, Number 1 (Fall-Winter 1985-1986)

“Computers & Music”: Ralph David Hill; p. 5
Abbreviated Chronology of Persons in Music-Related Acoustics (chart): Ivor Darreg; p. 6
Approximation By Proportional Addition: A Method of Deriving Various Microtonal Scales: Harold M. Waage; pp. 7-9
Musical Instruments Listed in the Order of Their Nature from Analog to Digital (chart): Ivor Darreg; p. 9
The Digital-Analog Question: Ivor Darreg; pp. 10-13
Making Sense of Cents: Mark Rankin; pp. 13-15
Toward a Rolling Sky: Some Pearls on Pauline Oliveros: Ron Drummond; pp. 16-22
The Equal Temperament of 31 Notes to the Octave: William Coates; pp. 23-27
Interval Hosts North American Conference on Micro-Intervallic Music: Jonathan Glasier; pp. 28-30
The American Festival of Microtonal Music: Program Notes: Johnny Reinhard; pp. 30-31, 33
Review of Prior’s Reference Handbook of Music Math, by Glen A. Prior: Jonathan Glasier; p. 32
Review of Foundations of Computer Music, edited by Curtis Roads and John Strawn: Jonathan Glasier; p. 33
Microtonal Compositions by Julian Carrillo (chart): Jonathan Glasier; p. 35

Volume 5, Number 2 (Spring 1986)

The Modular Keyboard: Novel Tuning For Midi Synthesizers: Siemen Terpstra; pp. 1, 11-13
Annual Report 1985: Ivor Darreg; pp. 3-5, 16-17
A Programmable Microtonal Keyboard: Doug Keislar; pp. 6-9
The Beehive Keyboard: A Five Limit Keyboard: James A. Davis; pp. 10, 20
“Just” Indignation: Jonathan Glasier; p. 14
Microtonal Music Released from Obscurity?: Jonathan Glasier; p. 14
Every Man His Own Orchestra: Jonathan Glasier; pp. 14-15
Split-Level Architecture: Jonathan Glasier; p. 15
Creativity and the Artistic Process: Arthur Frick; pp. 15, 19
The Age of Keyboards: Ivor Darreg; p. 18

Volume 5, Number 3 (Winter 1986-1987)

Abstract: Adriana Guarnieri; p. 5
Acoustical Instruments: Obsolete or Absolute?: Stephen K. Goodman; pp. 5-7
Ivor Darreg With Drone Instrument: Jonathan Glasier; pp. 7, 27-28
The Generalized Marimba Keyboard (chart): Erv Wilson; pp. 8-9, 21-22
A Generalization of Helmholtz’s Harmonic Model to Nineteen-Tone Equal Temperament: Norbert L. Oldani; pp. 10-11
The Nineteen-Tone System as Ten Plus Nine: John Negri; pp. 11-13
Composing for a Set of Aluminum Just-Intonation Tuning Forks—Part 1: Warren Burt; pp. 13, 23
Ratio Keyboard Design: Harry Partch; pp. 14-17
Concerning Lumia—The Art of Light: Ivor Darreg; pp. 18-20
Interval News: Jonathan Glasier; p. 24
Wendy Carlos … Perspective: Jonathan Glasier; pp. 24-25
Let’s Go Europe: Johnny Reinhard; pp. 25-27
Articles, Tapes, Concerts: Jonathan Glasier; p. 27

Complete through Volume 5, Number 3 (Winter 1986-1987)

Volume 1, Number 1 (Spring 1978)

Volume 1, Number 2 (Fall 1978)

Volume 1, Number 3 (Winter 1979)

Volume 1, Number 4+5 (Spring-Summer 1979)

Volume 2, Number 1 (Fall 1979)

Volume 2, Number 2+3 (Spring-Summer 1980)

Volume 2, Number 4 (Fall 1980)

Volume 3, Number 1 (Spring 1981)

Volume 3, Number 2 (Summer 1981)

Volume 3, Number 3 (Winter 1981-1982)

Volume 3, Number 4 (Summer 1982)

Volume 4, Number 1 (Winter 1982-1983)

Volume 4, Number 2 (Fall 1983)

Volume 4, Number 3 (Spring 1984)

Volume 4, Number 4 (Spring-Summer 1985)

Volume 5, Number 1 (Fall-Winter 1985-1986)

Volume 5, Number 2 (Spring 1986)

Volume 5, Number 3 (Winter 1986-1987)