Complete through Volume 5, Number 3 (Winter 1986-1987)
Abbreviated Chronology of Persons in Music-Related Acoustics (chart)
Ivor Darreg
Volume 5, Number 1, p. 6
Abstract
Adriana Guarnieri
Volume 5, Number 3, p. 5
Acoustical Instruments: Obsolete or Absolute?
Stephen K. Goodman
Volume 5, Number 3, pp. 5-7
Advantages and Disadvantages of Just Intonation
Ivor Darreg
Volume 3, Number 4, p. 18
Advantages and Disadvantages of 19-Equal
Ivor Darreg
Volume 3, Number 4, p. 24
Advantages and Disadvantages of the 17-Tone Equal Temperament
Ivor Darreg
Volume 4, Number 1, p. 22
Advantages and Disadvantages of 12-Equal
Ivor Darreg
Volume 3, Number 4, pp. 21, 24
The Affect of Musical Intervals
Scott Makeig
Volume 2, Number 1, pp. 18-19, 24-26
The Age of Keyboards
Ivor Darreg
Volume 5, Number 2, p. 18
The American Festival of Microtonal Music: Program Notes
Johnny Reinhard
Volume 5, Number 1, pp. 30-31, 33
Annual Report 1985
Ivor Darreg
Volume 5, Number 2, pp. 3-5, 16-17
Approximation By Proportional Addition: A Method of Deriving Various Microtonal Scales
Harold M. Waage
Volume 5, Number 1, pp. 7-9
Articles, Tapes, Concerts
Jonathan Glasier
Volume 5, Number 3, p. 27
The Automated Music Ensemble
Stephen Goodman
Volume 4, Number 1, pp. 10-12
Balloon Music
Prent Rodgers
Volume 1, Number 2, pp. 14-17
Barbershop Music
James Gattey
Volume 1, Number 4+5, pp. 7-8
Barbs and Broadsides
Harry Partch
Volume 3, Number 1, pp. 14-16
The Baschet Experience
Francois Baschet
Volume 4, Number 2, pp. 12-14
The Baschet Experience: Part II From the “Sound Sculpture” Papers
Francois Baschet
Volume 4, Number 3, pp. 6-7
The Beehive Keyboard: A Five Limit Keyboard
James A. Davis
Volume 5, Number 2, pp. 10, 20
Bell Garden—Tuned to What?
John Gibbon
Volume 1, Number 4+5, pp. 28-30
Berklee’s Catler Gives Xenharmonic Recital
Jonathan Glasier
Volume 1, Number 4+5, p. 41
The Bewitched Goes to Europe: Interview with Kenneth Gaburo, Artistic Director, and Mary Lou Blankenburg, Choreographer, San Diego State University, October 7, 1979
Jonathan Glasier
Volume 2, Number 1, pp. 27-32
The Binary Flute
Denny Genovese
Volume 1, Number 2, pp. 20-21
Bohemiola: Tuning Specifications for the Piano
David Weinstein
Volume 4, Number 1, pp. 26-27
Brand Library Concert
Jonathan Glasier
Volume 2, Number 2+3, pp. I23-I24
A Case For Nineteen
Ivor Darreg
Volume 3, Number 4, pp. 7-8, 17
Catalogue for the Exhibition/Festival For New Instumental Resources I and II
Jonathan Glasier
Volume 2, Number 2+3, pp. 1-40
Catalyst—a multimedia collective
Jonathan Glasier
Volume 2, Number 4, pp. 22-23
Charles, Third Earl of Stanhope; Well Temperament, 1806 (chart)
Lou Harrison and Bill Colvig
Volume 2, Number 2+3, p. I24
Chrysalis
Cris Forster
Volume 1, Number 1, pp. 6-8
Comments on the MIDI Concept
Ivor Darreg
Volume 4, Number 3, pp. 28-29
Complete Tables of Contents for the First Three Volumes of Interval Magazine
Jonathan Glasier
Volume 3, Number 4, pp. 31-34
Composing for a Set of Aluminum Just-Intonation Tuning Forks—Part 1
Warren Burt
Volume 5, Number 3, pp. 13, 23
Computer Music Journal
Ralph David Hill
Volume 4, Number 2, p. 11
“Computers & Music”
Ralph David Hill
Volume 5, Number 1, p. 5
Concerning Lumia—The Art of Light
Ivor Darreg
Volume 5, Number 3, pp. 18-20
Concert: “Microtonal” by Newband
Edward Rothstein
Volume 3, Number 4, pp. 26-27
Confessions of a Microtonal Convert
Elizabeth Glasier
Volume 1, Number 1, pp. 2-3
Confessions of a Microtonal Convert (Reprinted from Interval Volume 1 Number 1)
Elizabeth Glasier
Volume 4, Number 2, p. 28
Connoisseur Article Falls Short
Jonathan Glasier
Volume 4, Number 2, pp. 32-33
Conversion Analysis: Ratios to Cents
Cris Forster
Volume 1, Number 3, p. 5
Creativity and the Artistic Process
Arthur Frick
Volume 5, Number 2, pp. 15, 19
Cycle of Scales in 12-Tone Pythagorean Tuning (chart)
Erv Wilson
Volume 1, Number 3, p. 26
Dan Wolf: Microtonal Composer
Daniel Wolf
Volume 2, Number 4, p. 15
Detwelvulate!
Ivor Darreg
Volume 2, Number 1, pp. 14-17
Diamond Marimba II
Cris Forster
Volume 1, Number 3, pp. 16-18
The Digital-Analog Question
Ivor Darreg
Volume 5, Number 1, pp. 10-13
Discovering the Microtonal Resources of Your Voice
Elizabeth Glasier
Volume 1, Number 3, pp. 23-24
Dreams and Nightmares
Jonathan Glasier
Volume 3, Number 1, pp. 26-27
An Ear for Microtonality in the East
Jonathan Glasier
Volume 4, Number 1, pp. 24-25
Early Partch Work—Part 1: Manuscript, Keyboard Design Charts Uncovered
Jonathan Glasier
Volume 4, Number 2, pp. 6-7
Easley Blackwood: An Interview
Denny Genovese
Volume 2, Number 4, pp. 16-18
Easley Blackwood Interview—Part II
Denny Genovese
Volume 3, Number 1, pp. 18-21
EFNIR V Goes to U.C. Santa Cruz
Jonathan Glasier
Volume 4, Number 1, p. 25
Electronic Music (Cheap) Without a Synthesizer!
Denny Genovese
Volume 1, Number 3, pp. 5-6
The Entire Field of Sound
Tom Nunn
Volume 1, Number 3, pp. 21-22
The Equal Temperament of 31 Notes to the Octave
William Coates
Volume 5, Number 1, pp. 23-27
Erv Wilson Lecture
Jonathan Glasier
Volume 2, Number 4, p. 23
Every Man His Own Orchestra
Jonathan Glasier
Volume 5, Number 2, pp. 14-15
Exhibition/Festival For New Instrumental Resources
Jonathan Glasier
Volume 1, Number 4+5, pp. 20-23
Experimental Musical Instruments
Bart Hopkin
Volume 4, Number 4, p. 37
Exposition of Monophony, Part II: Early Draft of Harry Partch’s Book Written 1928-1932
Harry Partch
Volume 4, Number 3, pp. 8-9
Families of Intervals—Thirds
Jonathan Glasier
Volume 1, Number 3, pp. 14-15
Fifth Annual EFNIR: University of California at Santa Cruz Co-sponsors Interval Event
Jonathan Glasier
Volume 4, Number 2, pp. 30-31, 34
(5+12) 17-Tone Tubulong, Genus 38·5 (chart)
Erv Wilson
Volume 2, Number 4, p. 24
Foundation Notes
Jonathan Glasier
Volume 2, Number 4, pp. 5-6
Foundation Notes
Jonathan Glasier
Volume 3, Number 1, pp. 5-6
Foundation Notes
Jonathan Glasier
Volume 3, Number 2, pp. 5, 12
Foundation Notes
Jonathan Glasier
Volume 3, Number 3, p. 5
Foundation Notes
Jonathan Glasier
Volume 3, Number 4, p. 4
Fourth Annual EFNIR
Jonathan Glasier
Volume 3, Number 4, pp. 4-6
The Future of Music
T. S. Reed
Volume 4, Number 1, p. 4
A Generalization of Helmholtz’s Harmonic Model to Nineteen-Tone Equal Temperament
Norbert L. Oldani
Volume 5, Number 3, pp. 10-11
The Generalized Marimba Keyboard (chart)
Erv Wilson
Volume 5, Number 3, pp. 8-9, 21-22
Geometrisonics
Michael Winkler
Volume 2, Number 1, pp. 33-35, 17
George Secor Interview
Jonathan Glasier
Volume 1, Number 2, pp. 6-7
George Secor’s 17 Tone Triple Delight
Jonathan Glasier
Volume 1, Number 4+5, pp. 11, 14
Glenn Branca and the Third Bridge
Bart Hopkin
Volume 4, Number 4, p. 4
Going Without the Wind: The Electronic Keyboard Oboe
Ivor Darreg
Volume 1, Number 3, pp. 18-21
The Gourd Man—And Partch
Jonathan Glasier
Volume 2, Number 2+3, pp. I5-I6
Harmonic/Melodic Canon IV
Cris Forster
Volume 1, Number 2, pp. 17-19
Harmony Harp and Friends—Concert Series
Jonathan Glasier
Volume 3, Number 2, pp. 22-23
Harry Partch & The Harry Partch Ensemble
Norm Sohl
Volume 4, Number 3, pp. 9-10
Harry Partch Ensemble Plays at San Diego Kool Jazz Festival
Jonathan Glasier
Volume 4, Number 2, pp. 26, 29, 31-32
Harry Partch Reviews Yasser’s Theory of Evolving Tonality
Harry Partch
Volume 4, Number 4, pp. 5-6, 31
Hawaii Electronic Music Group
Denny Genovese
Volume 1, Number 2, pp. 27-28
Here We Go Again, Let’s Change the Name
Jonathan Glasier
Volume 4, Number 1, pp. 4-5
Hobnailed Newelpost
Ivor Darreg
Volume 4, Number 1, p. 21
Homemade: San Diego Style
Jonathan Glasier
Volume 2, Number 1, pp. 12-13
I am a dancer, I dance my self
Judith Greer Essex
Volume 1, Number 4+5, p. 7
Improvising…
John Glasier Sr.
Volume 1, Number 2, pp. 5-6
In Memoriam: John Strong Glasier—May 3, 1910–April 20, 1985
Jonathan Glasier
Volume 4, Number 4, p. 40
Interval Foundation
Jonathan Glasier
Volume 2, Number 1, p. 2
Interval Hosts North American Conference on Micro-Intervallic Music
Jonathan Glasier
Volume 5, Number 1, pp. 28-30
Interval Interview With French Composer Pierre-Jean Croset and His Lyra
Jonathan Glasier
Volume 4, Number 4, pp. 10-14
Interval News
Jonathan Glasier
Volume 5, Number 3, p. 24
Interval Players Tour Mexico
Jonathan Glasier
Volume 4, Number 1, p. 25
Intervals and Theory
John S. Glasier
Volume 3, Number 4, pp. 6, 28
Intervals in Recent Writings—A Review: Including the New Grove Dictionary of Music and Musicians
Douglas Leedy
Volume 3, Number 3, pp. 20-23
Interview in Mexico City with Delores Carrillo, Daughter of Julian Carrillo, and David Espejo
Jonathan Glasier
Volume 4, Number 1, pp. 6-9
An Interview with Terry Riley
Jonathan Glasier
Volume 3, Number 3, pp. 12-15
An Introduction
Paul William Simons
Volume 1, Number 2, pp. 25-27
Ivor Darreg Lecture/Concert
Jonathan Glasier
Volume 1, Number 2, pp. 29-30
Ivor Darreg With Drone Instrument
Jonathan Glasier
Volume 5, Number 3, pp. 7, 27-28
Ivor Darreg Year in Review: Year-End Report for 1983
Ivor Darreg
Volume 4, Number 3, pp. 25-27
Ivor Etc.
Ivor Darreg
Volume 4, Number 2, pp. 23-24
Ivor Letters
Ivor Darreg
Volume 3, Number 1, pp. 4-5
Ivor Letters
Ivor Darreg
Volume 3, Number 2, pp. 5, 12
Ivor Letters
Ivor Darreg
Volume 3, Number 4, pp. 28-29
January 1984 to January 1985 Progress Report
Ivor Darreg
Volume 4, Number 4, pp. 33-37
Joseph Yasser, 1893-1981
John Chalmers
Volume 3, Number 4, p. 25
Julian Carrillo: Mexico’s Microtonal Music Master
Ivor Darreg
Volume 3, Number 1, pp. 13, 17
Julian Carrillo’s Notation
Ivor Darreg
Volume 3, Number 2, p. 19
“Just” Indignation
Jonathan Glasier
Volume 5, Number 2, p. 14
Just Intonation From Leaky Keyboards
Ken Wauchope
Volume 1, Number 4+5, pp. 8-9, 44
Just Intonation on a Home Built Digital Synthesizer-Computer
Ralph David Hill
Volume 4, Number 2, pp. 15-22
Keyboard Controlled Just Intonation Computer
Harold Waage
Volume 2, Number 1, p. 6
KIVA Interview
Jonathan Glasier
Volume 1, Number 4+5, pp. 24-28
Let’s Go Europe
Johnny Reinhard
Volume 5, Number 3, pp. 25-27
Listening for the New Intervals: The Drone Can Help You
Ivor Darreg
Volume 1, Number 2, pp. 23-24
List of Intervals Relevant to the Theory of Tuning (chart)
Ivor Darreg
Volume 2, Number 1, p. 39
Living and Listening in Real Time: Notes Around the Music of La Monte Young
Daniel J. Wolf
Volume 4, Number 1, pp. 14-15
Living and Listening in Real Time: Notes Around the Music of La Monte Young [Part 2]
Daniel J. Wolf
Volume 4, Number 2, pp. 27-28
Lou Harrison’s Gamelan Music Premieres in Southern California
Jonathan Glasier
Volume 3, Number 1, p. 26
Make Your Own Steel Guitar Fretboards
Siemen Terpstra
Volume 3, Number 1, p. 4
Making Sense of Cents
Mark Rankin
Volume 5, Number 1, pp. 13-15
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments
Harry Partch
Volume 1, Number 2, pp. 8-12
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part 2)
Harry Partch
Volume 1, Number 3, pp. 7-14
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part Three)
Harry Partch
Volume 1, Number 4+5, pp. 15-18, 31-34
Math, Music, and Logic
Ivor Darreg
Volume 2, Number 1, p. 6
Megalyra
Ivor Darreg
Volume 4, Number 1, pp. 20-21
Microtonal Centers on the East Coast
Jonathan Glasier
Volume 3, Number 4, p. 26
Microtonal Compositions by Julian Carrillo (chart)
Jonathan Glasier
Volume 5, Number 1, p. 35
The Microtonal Dimension in The Dybbuk
Joel Mandelbaum
Volume 1, Number 2, pp. 28-29
Microtonal Mathematics 1
John Chalmers
Volume 1, Number 2, pp. 12-13
Microtonal Music
Norm Sohl, Stephen Smith, and Jonathan Schever
Volume 4, Number 3, pp. 11-12
Microtonal Music Released from Obscurity?
Jonathan Glasier
Volume 5, Number 2, p. 14
Microtonal Songs for the Clarinet
Dan Goode
Volume 2, Number 2+3, pp. I16-I19
Microtones and Melody
Arthur N. Campos
Volume 4, Number 1, p. 23
Modifying a Trumpet to Play 19 Tone Music
G. W. Swift and M. Yunik
Volume 2, Number 2+3, p. I8
The Modular Keyboard: Novel Tuning For Midi Synthesizers
Siemen Terpstra
Volume 5, Number 2, pp. 1, 11-13
Musical Instruments Listed in the Order of Their Nature from Analog to Digital (chart)
Ivor Darreg
Volume 5, Number 1, p. 9
Musical Play Park
Richard Waters
Volume 1, Number 4+5, pp. 12-13
Musical Strings, Part I
Ivor Darreg
Volume 3, Number 3, pp. 11, 19
Musical Strings—Part II
Ivor Darreg
Volume 3, Number 4, pp. 11-13
Music for Homemade Instruments
Skip La Plante
Volume 2, Number 1, pp. 9-11, 42, 38
Music: Microtonal Forays Beyond the 12-Note Scale
John Rockwell
Volume 3, Number 4, p. 27
Musings
Jonathan Glasier
Volume 1, Number 3, pp. 6-7
New Approaches to Pentatonic Notation
Christopher Banta
Volume 3, Number 3, pp. 9-10, 23
New Moods
Ivor Darreg
Volume 1, Number 1, pp. 3-4
New Music for an Old Temperament?
Douglas Leedy
Volume 4, Number 1, pp. 16-19
The Nineteen-Tone System as Ten Plus Nine
John Negri
Volume 5, Number 3, pp. 11-13
Non-Twelve Notation—Part II
Ivor Darreg
Volume 2, Number 4, pp. 7-9
Non-Twelve on the Cello
Ivor Darreg
Volume 3, Number 4, pp. 14-15, 22-23
Non-Twelve on the Clavichord
Ivor Darreg
Volume 1, Number 4+5, pp. 35-36, 45
Notation for Non-Twelve
Ivor Darreg
Volume 2, Number 2+3, pp. I8-I11
Novatone Interchangeable Fingerboards
Jonathan Glasier
Volume 4, Number 2, pp. 30, 32
OMNI Puts Microtonalists on Map
Jonathan Glasier
Volume 3, Number 1, p. 26
On Choosing an Equal-Tempered Scale
G. W. Swift and M. Yunik
Volume 2, Number 2+3, pp. I6-I8
1/1 Magazine of Just Intonation
Jonathan Glasier
Volume 4, Number 4, pp. 37-38
Open Letter
Ivor Darreg
Volume 3, Number 3, pp. 4-5
Other Music
Jonathan Glasier
Volume 2, Number 2+3, p. I6
Paleontology: The 12-Toned Pianosaurus
Ivor Darreg
Volume 1, Number 3, pp. 24-25
Partchian Twin-Star Eikosany (chart)
John Gibbon
Volume 1, Number 4+5, p. 46
Partch Ratios In The Round (chart)
John Gibbon
Volume 1, Number 4+5, p. 47
The Partch Reverberations: Notes on a Musical Rebel
Jeff Smith
Volume 3, Number 1, pp. 7-12
The Partch Reverberations: Notes on a Musical Rebel [Part 2]
Jeff Smith
Volume 3, Number 2, pp. 6-9, 12
Partial List of Publications
Ivor Darreg
Volume 4, Number 1, p. 15
The Pentaphone—Unfolding Fives
Jonathan Glasier
Volume 4, Number 4, pp. 14-16
Pepe Aton Estevane: an interview with the microtonal ambassador from Mexico
Jonathan Glasier
Volume 3, Number 1, pp. 24-25
Perspective
Jonathan Glasier
Volume 1, Number 1, pp. 9-10
Prelude No. 1 for Guitar: Original Version in 19-Tone system (score)
Ivor Darreg
Volume 2, Number 1, pp. 40-41
A Programmable Microtonal Keyboard
Doug Keislar
Volume 5, Number 2, pp. 6-9
Program Notes
Jonathan Glasier
Volume 1, Number 4+5, pp. 41-45
Progress Report: New Musical Instruments and Tuning Systems
Ivor Darreg
Volume 4, Number 1, pp. 13-14
Progress Report 1983
Ralph David Hill
Volume 4, Number 3, pp. 27-28
A Questionaire for Microtonal Musicians
Michael Fishbein
Volume 3, Number 4, pp. 18-19
Ratio Keyboard Design
Harry Partch
Volume 5, Number 3, pp. 14-17
Ratios For Equal-Temperaments
David Canright
Volume 1, Number 4+5, pp. 38-40
Reinventing The Wheel (So It Will Fly)
Arthur Frick
Volume 2, Number 1, pp. 20-24
Resonators, Part 1: Types and How They Work
Christopher C. Banta
Volume 3, Number 2, pp. 13-17
Resonators, Part 2: How to Tune and Measure Them
Christopher C. Banta
Volume 3, Number 3, pp. 16-19
Review of An Introduction to the Quartertone Guitar, by James Schneider
Ivor Darreg
Volume 1, Number 4+5, pp. 42-44
Review of El Infinito En Las Escalas y En Los Acordes, by Julian Carrillo
Ivor Darreg
Volume 3, Number 2, pp. 21-22
Review of Foundations of Computer Music, edited by Curtis Roads and John Strawn
Jonathan Glasier
Volume 5, Number 1, p. 33
Review of Glasier Collage Concert, March 13, 1978 at Calliopes Coffeehouse
Arthur Frick
Volume 1, Number 1, pp. 13-14
Review of Moustache Blue, by Glen Prior
Jonathan Glasier
Volume 2, Number 1, p. 36
Review of Music for Citizen’s Band, by Will Parsons
Joe Friedman
Volume 1, Number 2, p. 30
Review of Prior’s Reference Handbook of Music Math, by Glen A. Prior
Jonathan Glasier
Volume 5, Number 1, p. 32
Review of Sound Designs—A Handbook of Musical Instrument Building, by Reinhold Banek and Jon Scoville
Steve Smith
Volume 4, Number 2, pp. 29, 33
Review of The Autobiography of Otto Luening: The Odyssey of an American Composer
Jonathan Glasier
Volume 3, Number 4, pp. 27-28
Review of The Equal-Beating Temperaments, by Owen Jorgensen
Ivor Darreg
Volume 3, Number 2, pp. 20-21
Review of Tuning the Historical Temperaments by Ear, by Owen Jorgensen
George Secor
Volume 1, Number 1, pp. 10-12
San Diego Song (score)
Arthur Frick
Volume 4, Number 3, pp. 21-24
Secor-Nineteen-Plus-Three
George Secor
Volume 1, Number 1, pp. 5-6
A Selective List of Source Material On Alternative Tuning Systems in American Music
Douglas Leedy
Volume 4, Number 4, pp. 7-9
17-Tone Well Temperament
George Secor
Volume 1, Number 1, pp. 4-5
Simple Instruments: Harmonic Flutes
Jonathan Glasier
Volume 3, Number 1, p. 6
Simple Instruments in Just Intonation
Denny Genovese
Volume 1, Number 4+5, pp. 37-38
Sing Your Way to Just Intonation
Ivor Darreg
Volume 1, Number 4+5, pp. 10-11
Some Designs For Small Numbered Non-12 Tone Metallophones And Keyboards
John H. Chalmers, Jr.
Volume 2, Number 4, pp. 10, 14
Sonic Artist
Stephen Kent Goodman
Volume 3, Number 4, pp. 9-10
Sonic Art Show: California State College–San Bernardino
Jonathan Glasier
Volume 3, Number 4, pp. 16, 21
Sonic Healing—An Application for Just Intonation
Jonathan Glasier
Volume 4, Number 3, p. 4
The Sound and Movement Choir
Jonathan Glasier and Judith Essex
Volume 3, Number 2, pp. 10-11
SOUND in NY
Jonathan Glasier
Volume 2, Number 1, p. 36
Sound Sculptures at LAICA
Stephen Kent Goodman
Volume 4, Number 2, pp. 25-26
Split-Level Architecture
Jonathan Glasier
Volume 5, Number 2, p. 15
Structures on a Vacant Lot
Jonathan Glasier
Volume 2, Number 4, pp. 6, 10
Table of Errors in Equally-Tempered Intervals (chart)
Ivor Darreg
Volume 3, Number 4, pp. 20, 17
Ten-Equal: The Other Side of the Coin
Gary Morrison
Volume 2, Number 1, pp. 7-8, 17
Theory of Interval Affect [Part 2]
Scott Makeig
Volume 2, Number 2+3, pp. I12, I13-I16
Theory of Interval Affect—Part III
Scott Makeig
Volume 2, Number 4, pp. 11-13
Theory of Interval Affect: The Fourth in a Series
Scott Makeig
Volume 3, Number 1, pp. 21-23
Theory of Interval Affect—Part V
Scott Makeig
Volume 3, Number 2, pp. 11, 18
Theremin—The First Analog Synthesizer
Ivor Darreg
Volume 4, Number 4, pp. 25-30
Thinking Big
Ivor Darreg
Volume 1, Number 1, pp. 8-9
Tolerance
Ivor Darreg
Volume 2, Number 4, pp. 18-21
Toward a Rolling Sky: Some Pearls on Pauline Oliveros
Ron Drummond
Volume 5, Number 1, pp. 16-22
Towards A Just Social Intonation
Will Parsons
Volume 1, Number 2, pp. 24-25
Trans-Spectra, Future World, World Song: Building the Arts of Tomorrow
Jonathan Glasier
Volume 4, Number 1, pp. 5, 27
The Tubalong
Jonathan Glasier
Volume 1, Number 4+5, p. 30
Tuning Noises and Painting Time: How Futurism Made History
Ivor Darreg
Volume 4, Number 2, pp. 8-11
Tuning System Design
Jeff Pressing
Volume 2, Number 2+3, pp. I19-I22, I24
22-Tone Musical Instrument (chart)
Erv Wilson
Volume 4, Number 4, p. 32
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela
Ramon Pelinski
Volume 4, Number 3, pp. 13-20
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela, Part II
Ramon Pelinski
Volume 4, Number 4, pp. 16-24
Vocal Harmonics
Jonathan Glasier
Volume 1, Number 2, pp. 21-23
Wendy Carlos … Perspective
Jonathan Glasier
Volume 5, Number 3, pp. 24-25
What is a Mean Tone?
Ivor Darreg
Volume 3, Number 3, pp. 6-9
Wheels Within Wheels: Pop Rhythm, A Drummer’s Point of View
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