Complete through Volume 5, Number 3 (Winter 1986-1987)
Banta, Christopher C.
New Approaches to Pentatonic Notation
Volume 3, Number 3, pp. 9-10, 23
Resonators, Part 1: Types and How They Work
Volume 3, Number 2, pp. 13-17
Resonators, Part 2: How to Tune and Measure Them
Volume 3, Number 3, pp. 16-19
Baschet, Francois
The Baschet Experience
Volume 4, Number 2, pp. 12-14
The Baschet Experience: Part II From the “Sound Sculpture” Papers
Volume 4, Number 3, pp. 6-7
Burt, Warren
Composing for a Set of Aluminum Just-Intonation Tuning Forks—Part 1
Volume 5, Number 3, pp. 13, 23
Campos, Arthur N.
Microtones and Melody
Volume 4, Number 1, p. 23
Canright, David
Ratios For Equal-Temperaments
Volume 1, Number 4+5, pp. 38-40
Chalmers, John H., Jr.
Joseph Yasser, 1893-1981
Volume 3, Number 4, p. 25
Microtonal Mathematics 1
Volume 1, Number 2, pp. 12-13
Some Designs For Small Numbered Non-12 Tone Metallophones And Keyboards
Volume 2, Number 4, pp. 10, 14
Coates, William
The Equal Temperament of 31 Notes to the Octave
Volume 5, Number 1, pp. 23-27
Darreg, Ivor
Abbreviated Chronology of Persons in Music-Related Acoustics (chart)
Volume 5, Number 1, p. 6
Advantages and Disadvantages of Just Intonation
Volume 3, Number 4, p. 18
Advantages and Disadvantages of 19-Equal
Volume 3, Number 4, p. 24
Advantages and Disadvantages of the 17-Tone Equal Temperament
Volume 4, Number 1, p. 22
Advantages and Disadvantages of 12-Equal
Volume 3, Number 4, pp. 21, 24
The Age of Keyboards
Volume 5, Number 2, p. 18
Annual Report 1985
Volume 5, Number 2, pp. 3-5, 16-17
A Case For Nineteen
Volume 3, Number 4, pp. 7-8, 17
Comments on the MIDI Concept
Volume 4, Number 3, pp. 28-29
Concerning Lumia—The Art of Light
Volume 5, Number 3, pp. 18-20
Detwelvulate!
Volume 2, Number 1, pp. 14-17
The Digital-Analog Question
Volume 5, Number 1, pp. 10-13
Going Without the Wind: The Electronic Keyboard Oboe
Volume 1, Number 3, pp. 18-21
Hobnailed Newelpost
Volume 4, Number 1, p. 21
Ivor Darreg Year in Review: Year-End Report for 1983
Volume 4, Number 3, pp. 25-27
Ivor Etc.
Volume 4, Number 2, pp. 23-24
Ivor Letters
Volume 3, Number 1, pp. 4-5
Ivor Letters
Volume 3, Number 2, pp. 5, 12
Ivor Letters
Volume 3, Number 4, pp. 28-29
January 1984 to January 1985 Progress Report
Volume 4, Number 4, pp. 33-37
Julian Carrillo: Mexico’s Microtonal Music Master
Volume 3, Number 1, pp. 13, 17
Julian Carrillo’s Notation
Volume 3, Number 2, p. 19
Listening for the New Intervals: The Drone Can Help You
Volume 1, Number 2, pp. 23-24
List of Intervals Relevant to the Theory of Tuning (chart)
Volume 2, Number 1, p. 39
Math, Music, and Logic
Volume 2, Number 1, p. 6
Megalyra
Volume 4, Number 1, pp. 20-21
Musical Instruments Listed in the Order of Their Nature from Analog to Digital (chart)
Volume 5, Number 1, p. 9
Musical Strings, Part I
Volume 3, Number 3, pp. 11, 19
Musical Strings—Part II
Volume 3, Number 4, pp. 11-13
New Moods
Volume 1, Number 1, pp. 3-4
Non-Twelve Notation—Part II
Volume 2, Number 4, pp. 7-9
Non-Twelve on the Cello
Volume 3, Number 4, pp. 14-15, 22-23
Non-Twelve on the Clavichord
Volume 1, Number 4+5, pp. 35-36, 45
Notation for Non-Twelve
Volume 2, Number 2+3, pp. I8-I11
Open Letter
Volume 3, Number 3, pp. 4-5
Paleontology: The 12-Toned Pianosaurus
Volume 1, Number 3, pp. 24-25
Partial List of Publications
Volume 4, Number 1, p. 15
Prelude No. 1 for Guitar: Original Version in 19-Tone system (score)
Volume 2, Number 1, pp. 40-41
Progress Report: New Musical Instruments and Tuning Systems
Volume 4, Number 1, pp. 13-14
Review of An Introduction to the Quartertone Guitar, by James Schneider
Volume 1, Number 4+5, pp. 42-44
Review of El Infinito En Las Escalas y En Los Acordes, by Julian Carrillo
Volume 3, Number 2, pp. 21-22
Review of The Equal-Beating Temperaments, by Owen Jorgensen
Volume 3, Number 2, pp. 20-21
Sing Your Way to Just Intonation
Volume 1, Number 4+5, pp. 10-11
Table of Errors in Equally-Tempered Intervals (chart)
Volume 3, Number 4, pp. 20, 17
Theremin—The First Analog Synthesizer
Volume 4, Number 4, pp. 25-30
Thinking Big
Volume 1, Number 1, pp. 8-9
Tolerance
Volume 2, Number 4, pp. 18-21
Tuning Noises and Painting Time: How Futurism Made History
Volume 4, Number 2, pp. 8-11
What is a Mean Tone?
Volume 3, Number 3, pp. 6-9
Davis, James A.
The Beehive Keyboard: A Five Limit Keyboard
Volume 5, Number 2, pp. 10, 20
Drummond, Ron
Toward a Rolling Sky: Some Pearls on Pauline Oliveros
Volume 5, Number 1, pp. 16-22
Essex, Judith Greer
I am a dancer, I dance my self
Volume 1, Number 4+5, p. 7
Fishbein, Michael
A Questionaire for Microtonal Musicians
Volume 3, Number 4, pp. 18-19
Forster, Cris
Chrysalis
Volume 1, Number 1, pp. 6-8
Conversion Analysis: Ratios to Cents
Volume 1, Number 3, p. 5
Diamond Marimba II
Volume 1, Number 3, pp. 16-18
Harmonic/Melodic Canon IV
Volume 1, Number 2, pp. 17-19
Frick, Arthur
Creativity and the Artistic Process
Volume 5, Number 2, pp. 15, 19
Reinventing The Wheel (So It Will Fly)
Volume 2, Number 1, pp. 20-24
Review of Glasier Collage Concert, March 13, 1978 at Calliopes Coffeehouse
Volume 1, Number 1, pp. 13-14
San Diego Song (score)
Volume 4, Number 3, pp. 21-24
World Song
Volume 4, Number 2, p. 2
Friedman, Joe
Review of Music for Citizen’s Band, by Will Parsons
Volume 1, Number 2, p. 30
Gattey, James
Barbershop Music
Volume 1, Number 4+5, pp. 7-8
Genovese, Denny
The Binary Flute
Volume 1, Number 2, pp. 20-21
Easley Blackwood: An Interview
Volume 2, Number 4, pp. 16-18
Easley Blackwood Interview—Part II
Volume 3, Number 1, pp. 18-21
Electronic Music (Cheap) Without a Synthesizer!
Volume 1, Number 3, pp. 5-6
Hawaii Electronic Music Group
Volume 1, Number 2, pp. 27-28
Simple Instruments in Just Intonation
Volume 1, Number 4+5, pp. 37-38
Gibbon, John
Bell Garden—Tuned to What?
Volume 1, Number 4+5, pp. 28-30
Partchian Twin-Star Eikosany (chart)
Volume 1, Number 4+5, p. 46
Partch Ratios In The Round (chart)
Volume 1, Number 4+5, p. 47
Glasier, Elizabeth
Confessions of a Microtonal Convert
Volume 1, Number 1, pp. 2-3
Confessions of a Microtonal Convert (Reprinted from Interval Volume 1 Number 1)
Volume 4, Number 2, p. 28
Discovering the Microtonal Resources of Your Voice
Volume 1, Number 3, pp. 23-24
Glasier, John S.
Improvising…
Volume 1, Number 2, pp. 5-6
Intervals and Theory
Volume 3, Number 4, pp. 6, 28
Glasier, Jonathan
Articles, Tapes, Concerts
Volume 5, Number 3, p. 27
Berklee’s Catler Gives Xenharmonic Recital
Volume 1, Number 4+5, p. 41
The Bewitched Goes to Europe: Interview with Kenneth Gaburo, Artistic Director, and Mary Lou Blankenburg, Choreographer, San Diego State University, October 7, 1979
Volume 2, Number 1, pp. 27-32
Brand Library Concert
Volume 2, Number 2+3, pp. I23-I24
Catalogue for the Exhibition/Festival For New Instumental Resources I and II
Volume 2, Number 2+3, pp. 1-40
Catalyst—a multimedia collective
Volume 2, Number 4, pp. 22-23
Complete Tables of Contents for the First Three Volumes of Interval Magazine
Volume 3, Number 4, pp. 31-34
Connoisseur Article Falls Short
Volume 4, Number 2, pp. 32-33
Dreams and Nightmares
Volume 3, Number 1, pp. 26-27
An Ear for Microtonality in the East
Volume 4, Number 1, pp. 24-25
Early Partch Work—Part 1: Manuscript, Keyboard Design Charts Uncovered
Volume 4, Number 2, pp. 6-7
EFNIR V Goes to U.C. Santa Cruz
Volume 4, Number 1, p. 25
Erv Wilson Lecture
Volume 2, Number 4, p. 23
Every Man His Own Orchestra
Volume 5, Number 2, pp. 14-15
Exhibition/Festival For New Instrumental Resources
Volume 1, Number 4+5, pp. 20-23
Families of Intervals—Thirds
Volume 1, Number 3, pp. 14-15
Fifth Annual EFNIR: University of California at Santa Cruz Co-sponsors Interval Event
Volume 4, Number 2, pp. 30-31, 34
Foundation Notes
Volume 2, Number 4, pp. 5-6
Foundation Notes
Volume 3, Number 1, pp. 5-6
Foundation Notes
Volume 3, Number 2, pp. 5, 12
Foundation Notes
Volume 3, Number 3, p. 5
Foundation Notes
Volume 3, Number 4, p. 4
Fourth Annual EFNIR
Volume 3, Number 4, pp. 4-6
George Secor Interview
Volume 1, Number 2, pp. 6-7
George Secor’s 17 Tone Triple Delight
Volume 1, Number 4+5, pp. 11, 14
The Gourd Man—And Partch
Volume 2, Number 2+3, pp. I5-I6
Harmony Harp and Friends—Concert Series
Volume 3, Number 2, pp. 22-23
Harry Partch Ensemble Plays at San Diego Kool Jazz Festival
Volume 4, Number 2, pp. 26, 29, 31-32
Here We Go Again, Let’s Change the Name
Volume 4, Number 1, pp. 4-5
Homemade: San Diego Style
Volume 2, Number 1, pp. 12-13
In Memoriam: John Strong Glasier—May 3, 1910–April 20, 1985
Volume 4, Number 4, p. 40
Interval Foundation
Volume 2, Number 1, p. 2
Interval Hosts North American Conference on Micro-Intervallic Music
Volume 5, Number 1, pp. 28-30
Interval Interview With French Composer Pierre-Jean Croset and His Lyra
Volume 4, Number 4, pp. 10-14
Interval News
Volume 5, Number 3, p. 24
Interval Players Tour Mexico
Volume 4, Number 1, p. 25
Interview in Mexico City with Delores Carrillo, Daughter of Julian Carrillo, and David Espejo
Volume 4, Number 1, pp. 6-9
An Interview with Terry Riley
Volume 3, Number 3, pp. 12-15
Ivor Darreg Lecture/Concert
Volume 1, Number 2, pp. 29-30
Ivor Darreg With Drone Instrument
Volume 5, Number 3, pp. 7, 27-28
“Just” Indignation
Volume 5, Number 2, p. 14
KIVA Interview
Volume 1, Number 4+5, pp. 24-28
Lou Harrison’s Gamelan Music Premieres in Southern California
Volume 3, Number 1, p. 26
Microtonal Centers on the East Coast
Volume 3, Number 4, p. 26
Microtonal Compositions by Julian Carrillo (chart)
Volume 5, Number 1, p. 35
Microtonal Music Released from Obscurity?
Volume 5, Number 2, p. 14
Musings
Volume 1, Number 3, pp. 6-7
Novatone Interchangeable Fingerboards
Volume 4, Number 2, pp. 30, 32
OMNI Puts Microtonalists on Map
Volume 3, Number 1, p. 26
1/1 Magazine of Just Intonation
Volume 4, Number 4, pp. 37-38
Other Music
Volume 2, Number 2+3, p. I6
The Pentaphone—Unfolding Fives
Volume 4, Number 4, pp. 14-16
Pepe Aton Estevane: an interview with the microtonal ambassador from Mexico
Volume 3, Number 1, pp. 24-25
Perspective
Volume 1, Number 1, pp. 9-10
Program Notes
Volume 1, Number 4+5, pp. 41-45
Review of Foundations of Computer Music, edited by Curtis Roads and John Strawn
Volume 5, Number 1, p. 33
Review of Moustache Blue, by Glen Prior
Volume 2, Number 1, p. 36
Review of Prior’s Reference Handbook of Music Math, by Glen A. Prior
Volume 5, Number 1, p. 32
Review of The Autobiography of Otto Luening: The Odyssey of an American Composer
Volume 3, Number 4, pp. 27-28
Simple Instruments: Harmonic Flutes
Volume 3, Number 1, p. 6
Sonic Art Show: California State College–San Bernardino
Volume 3, Number 4, pp. 16, 21
Sonic Healing—An Application for Just Intonation
Volume 4, Number 3, p. 4
SOUND in NY
Volume 2, Number 1, p. 36
Split-Level Architecture
Volume 5, Number 2, p. 15
Structures on a Vacant Lot
Volume 2, Number 4, pp. 6, 10
Trans-Spectra, Future World, World Song: Building the Arts of Tomorrow
Volume 4, Number 1, pp. 5, 27
The Tubalong
Volume 1, Number 4+5, p. 30
Vocal Harmonics
Volume 1, Number 2, pp. 21-23
Wendy Carlos … Perspective
Volume 5, Number 3, pp. 24-25
Glasier, Jonathan, and Judith Essex
The Sound and Movement Choir
Volume 3, Number 2, pp. 10-11
Goode, Dan
Microtonal Songs for the Clarinet
Volume 2, Number 2+3, pp. I16-I19
Goodman, Stephen Kent
Acoustical Instruments: Obsolete or Absolute?
Volume 5, Number 3, pp. 5-7
The Automated Music Ensemble
Volume 4, Number 1, pp. 10-12
Sonic Artist
Volume 3, Number 4, pp. 9-10
Sound Sculptures at LAICA
Volume 4, Number 2, pp. 25-26
Guarnieri, Adriana
Abstract
Volume 5, Number 3, p. 5
Harrison, Lou, and Bill Colvig
Charles, Third Earl of Stanhope; Well Temperament, 1806 (chart)
Volume 2, Number 2+3, p. I24
Hill, Ralph David
Computer Music Journal
Volume 4, Number 2, p. 11
“Computers & Music”
Volume 5, Number 1, p. 5
Just Intonation on a Home Built Digital Synthesizer-Computer
Volume 4, Number 2, pp. 15-22
Progress Report 1983
Volume 4, Number 3, pp. 27-28
Hopkin, Bart
Experimental Musical Instruments
Volume 4, Number 4, p. 37
Glenn Branca and the Third Bridge
Volume 4, Number 4, p. 4
Keislar, Doug
A Programmable Microtonal Keyboard
Volume 5, Number 2, pp. 6-9
La Plante, Skip
Music for Homemade Instruments
Volume 2, Number 1, pp. 9-11, 42, 38
Leedy, Douglas
Intervals in Recent Writings—A Review: Including the New Grove Dictionary of Music and Musicians
Volume 3, Number 3, pp. 20-23
New Music for an Old Temperament?
Volume 4, Number 1, pp. 16-19
A Selective List of Source Material On Alternative Tuning Systems in American Music
Volume 4, Number 4, pp. 7-9
Makeig, Scott
The Affect of Musical Intervals
Volume 2, Number 1, pp. 18-19, 24-26
Theory of Interval Affect [Part 2]
Volume 2, Number 2+3, pp. I12, I13-I16
Theory of Interval Affect—Part III
Volume 2, Number 4, pp. 11-13
Theory of Interval Affect: The Fourth in a Series
Volume 3, Number 1, pp. 21-23
Theory of Interval Affect—Part V
Volume 3, Number 2, pp. 11, 18
Mandelbaum, Joel
The Microtonal Dimension in The Dybbuk
Volume 1, Number 2, pp. 28-29
Morrison, Gary
Ten-Equal: The Other Side of the Coin
Volume 2, Number 1, pp. 7-8, 17
Negri, John
The Nineteen-Tone System as Ten Plus Nine
Volume 5, Number 3, pp. 11-13
Nunn, Tom
The Entire Field of Sound
Volume 1, Number 3, pp. 21-22
Oldani, Norbert L.
A Generalization of Helmholtz’s Harmonic Model to Nineteen-Tone Equal Temperament
Volume 5, Number 3, pp. 10-11
Parsons, Will
Towards A Just Social Intonation
Volume 1, Number 2, pp. 24-25
Wheels Within Wheels: Pop Rhythm, A Drummer’s Point of View
Volume 3, Number 4, p. 30
Partch, Harry
Barbs and Broadsides
Volume 3, Number 1, pp. 14-16
Exposition of Monophony, Part II: Early Draft of Harry Partch’s Book Written 1928-1932
Volume 4, Number 3, pp. 8-9
Harry Partch Reviews Yasser’s Theory of Evolving Tonality
Volume 4, Number 4, pp. 5-6, 31
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments
Volume 1, Number 2, pp. 8-12
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part 2)
Volume 1, Number 3, pp. 7-14
Manual on the Maintenance and Repair of—And the Musical and Attitudinal Techniques for—Some Putative Musical Instruments (Part Three)
Volume 1, Number 4+5, pp. 15-18, 31-34
Ratio Keyboard Design
Volume 5, Number 3, pp. 14-17
Pelinski, Ramon
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela
Volume 4, Number 3, pp. 13-20
Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela, Part II
Volume 4, Number 4, pp. 16-24
Pressing, Jeff
Tuning System Design
Volume 2, Number 2+3, pp. I19-I22, I24
Rankin, Mark
Making Sense of Cents
Volume 5, Number 1, pp. 13-15
Reed, Thomas S.
The Future of Music
Volume 4, Number 1, p. 4
Reinhard, Johnny
The American Festival of Microtonal Music: Program Notes
Volume 5, Number 1, pp. 30-31, 33
Let’s Go Europe
Volume 5, Number 3, pp. 25-27
Rockwell, John
Music: Microtonal Forays Beyond the 12-Note Scale
Volume 3, Number 4, p. 27
Rodgers, Prent
Balloon Music
Volume 1, Number 2, pp. 14-17
Rothstein, Edward
Concert: “Microtonal” by Newband
Volume 3, Number 4, pp. 26-27
Secor, George
Review of Tuning the Historical Temperaments by Ear, by Owen Jorgensen
Volume 1, Number 1, pp. 10-12
Secor-Nineteen-Plus-Three
Volume 1, Number 1, pp. 5-6
17-Tone Well Temperament
Volume 1, Number 1, pp. 4-5
Simons, Paul William
An Introduction
Volume 1, Number 2, pp. 25-27
Smith, Jeff
The Partch Reverberations: Notes on a Musical Rebel
Volume 3, Number 1, pp. 7-12
The Partch Reverberations: Notes on a Musical Rebel [Part 2]
Volume 3, Number 2, pp. 6-9, 12
Smith, Steve
Review of Sound Designs—A Handbook of Musical Instrument Building, by Reinhold Banek and Jon Scoville
Volume 4, Number 2, pp. 29, 33
Sohl, Norm
Harry Partch & The Harry Partch Ensemble
Volume 4, Number 3, pp. 9-10
Sohl, Norm, Stephen Smith, and Jonathan Schever
Microtonal Music
Volume 4, Number 3, pp. 11-12
Swift, G. W., and M. Yunik
Modifying a Trumpet to Play 19 Tone Music
Volume 2, Number 2+3, p. I8
On Choosing an Equal-Tempered Scale
Volume 2, Number 2+3, pp. I6-I8
Terpstra, Siemen
Make Your Own Steel Guitar Fretboards
Volume 3, Number 1, p. 4
The Modular Keyboard: Novel Tuning For Midi Synthesizers
Volume 5, Number 2, pp. 1, 11-13
Waage, Harold M.
Approximation By Proportional Addition: A Method of Deriving Various Microtonal Scales
Volume 5, Number 1, pp. 7-9
Keyboard Controlled Just Intonation Computer
Volume 2, Number 1, p. 6
Waters, Richard
Musical Play Park
Volume 1, Number 4+5, pp. 12-13
Wauchope, Ken
Just Intonation From Leaky Keyboards
Volume 1, Number 4+5, pp. 8-9, 44
Weinstein, David
Bohemiola: Tuning Specifications for the Piano
Volume 4, Number 1, pp. 26-27
Wilson, Erv
Cycle of Scales in 12-Tone Pythagorean Tuning (chart)
Volume 1, Number 3, p. 26
(5+12) 17-Tone Tubulong, Genus 38·5 (chart)
Volume 2, Number 4, p. 24
The Generalized Marimba Keyboard (chart)
Volume 5, Number 3, pp. 8-9, 21-22
22-Tone Musical Instrument (chart)
Volume 4, Number 4, p. 32
Wilson’s Pythagorean and Just Modulations (chart)
Volume 4, Number 2, p. 34
Winkler, Michael
Geometrisonics
Volume 2, Number 1, pp. 33-35, 17
Wolf, Daniel J.
Dan Wolf: Microtonal Composer
Volume 2, Number 4, p. 15
Living and Listening in Real Time: Notes Around the Music of La Monte Young
Volume 4, Number 1, pp. 14-15
Living and Listening in Real Time: Notes Around the Music of La Monte Young [Part 2]
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